Leslie Salmon Leslie Salmon

AT A MOMENT'S NOTICE . . .

As owner of a studio, I not only teach but am responsible to make sure classes get taught. If that means getting a call from a stranded or sick yoga instructor 20 minutes before their class is to start, and having to step in for that person, so be it.

On Wednesdays, I have agreed to back-up one of my instructors, who has a job with on-call responsibilities. I flew back in SLC late yesterday (Wednesday) afternoon, checked for messages from that teacher, found none. So, I went home, settled into the evening's routine. As I was checking e-mail, I heard my cell jingle (text message). He had gotten called towards the end of his first class, and was calling to ask if I was available to do the 7 pm.

Change gears ... breathe ... change clothes ... hop in the car and go teach.

Notice a pattern here? This is at least the third time I have written about 'changing gears, etc., etc., etc.

It was a Gentle Yoga class -- just up my alley. We did some warming up, included a bit of foot work. I find that, though uncomfortable for some, foot work is a valuable tool to add to any class.

I recently received a copy of a formal study done comparing two groups of people (middle to advanced in age). One group did ankle and foot flexion exercises daily; the other did not. When tested for balance skills during and after the study period, the group who had worked with their feet was better able to balance.

Here's a brief description of the routine I've been using:
  • Cross R ankle on top of L knee (either seated on floor cross legged, or in a chair)
  • Thread fingers of L hand between the toes of R foot, from the bottom of the foot (really get those fingers in there - some people hate this, but it is good for them).
  • Grasp the toes and gently move the toes back and forth several times, then do some ankle circles in both directions -- also moving gently.
  • Now - my favorite - keep fingers between toes, but relax their grip on toes. As you exhale, use your toes to squeeze the fingers. Do this 3 times.
  • As you remove fingers from between toes, push toes towards top of foot, then pull them back towards the sole of the foot -- stretching both the bottom and top of foot.
  • Use your thumbs to deeply massage the sole of the foot, working from base of each toe to heel and back.
  • Now release R foot to floor and compare to L (lift and spread toes, check out the color difference)
  • Repeat on L foot
  • When you are done with the L foot, practice moving the toes independent of one another, as follows:
  • Keep 4 corners of feet on floor, lift & spread toes. Take pinkie toe to mat, lift & spread toes again, take big toe to mat; now lift & spread and try to take both pinkie & big toes to mat. Done with that? now, keep toes on floor - spread wide and lift just the big toe. Now - I can't do it - but challenge your students to try to lift their pinkie toe, as well (I've seen it done.).

Not only is this exercise good for ALL students (even those who come to class ready to 'kick you-know-what'), but it is a real awakening for some. "Move my toes? I can't. Oh, look, there goes one." And, if you repeat it occasionally they will get better (practice, remember). It requires so little effort, they may even do some of it at home.

Snowing and windy here. Change gears ... breathe ... put away the rake and get the snow shovel back out.

Take care,

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Leslie Salmon Leslie Salmon

THOUGHTS AS I HEAD HOME

Yesterday’s squabble has passed – just in time for me to return to Salt Lake. I will be glad to go home, see my husband, take care of my critters, and teach!

The Tantric philosophy of Anusara Yoga reminds us that we are a manifestation of the Auspicious, we all possess the qualities of that Auspicious One (intelligent, aware, free, pulsating, perfect, is). But, most of us hide beneath a cloak (like a cape), afraid-unwilling-incapable of letting our greatness show through. We move through life thinking all is well, but with a slight ‘niggling’ that something could be different and better (at least, that was my experience).

Somewhere, tho, the antithesis enters and, just as we refuse to reveal our greatness, we also believe what we attempt in life must be perfect.

As I teach yoga, I see many students come into class with the belief that each pose has to be done to the max and ‘perfectly’. Even if I offer a modification, I will invariably have a student push aside the prop or suggested option, and teeter on the edge of disaster for the few seconds that she/he is able to hold the pose. Or, worse, not enjoy the liberation that a modification (or prop) can offer -- an opportunity to fully open into a pose without worrying about getting that hand to the floor or losing your balance. Not that I want students to ALWAYS use modifications or props, but they can offer a glimpse of the full pose -- give the body a blueprint to follow for future encounters with that particular pose.

If only we were infused with the word ‘purnatva’ in our vocabulary as children. Purnatva (perfect fullness) in the Sanskrit does mean perfect, but to take it another step in defining – it can more effectively mean ‘perfect effort’. Purnatva – accepting our perfect effort can start to open the door to our greatness.

FYI, I love practices where the instructor asks for our ‘perfect effort’, that we give it our best and accept the outcome. They are so freeing.

What a potential for change that makes in our practice (and our life) – to go from feeling that we have to be able to do everything perfect, to knowing that if we are giving a pose or practice (or life) ‘perfect effort/fullness’ then we are that – perfect. AND, we see just a glimpse of our greatness, to boot.
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Leslie Salmon Leslie Salmon

ON AGING . . .

Not sure if I mentioned that I am currently in Spokane spending a few days with my Father & Mother (86 & 82 respectively).

This is a difficult time -- watching them slowly wind down, forget, sit on the couch too much, complain about things that aren't important, and - hardest for me - refuse to actively participate to make the situation more tolerable.

I had planned to write today about our greatness, and how we cloak that greatness. Slight family argument -- change gears -- breathe -- but, my thoughts are still involved in the family, so you get to hear about it.

We went out for dinner last night with my two cousins and their wives. Since my Dad is diabetic, there needed to be a shot taken and he decided to do it in the car before going into the restaurant. As we parked, everyone arrived and tried to be helpful in the process of shot, wheelchair, etc. Then, at dinner, my Dad's nose began to run. My older cousin reached over and wiped it for him. All helpful, unmalicious offerings. But, to someone who has always been in control, always been in a position of authority (Air Force Pilot, to boot), a bit embarrassing.

This morning I heard about it -- how their helpfulness embarrassed him. I offered the thought that he should step back, look at their motivation: to be helpful, and - for future reference - perhaps mention to my cousin "hey, next time, just tell me -- I still can wipe my own nose".

Not received well. All of a sudden, I was the bad guy. My suggestions were received as a lecture (also not something he tolerates well). I left the room in a huff.

I kept rememberng Sundari's wise words to me when we talk about aging parents, 'this is your yoga, too'.

I went back to calm things, to explain I was just trying to be helpful. I think things are back on an even keel; but, yoga - no matter where it's done - is always a practice.

What can I say, Tuesdays ...
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Leslie Salmon Leslie Salmon

BLOG INTIMIDATION

I have been reading some incredible blogs the past few days. Blogs recommended by friends and blogs I've found as I follow links.

In talking to a friend yesterday, I mentioned a couple of them (the blogs) and how much knowledge these Certified Anusara™ teachers have. That I feel a bit inadequate when reading them; especially when I look back at my blog -- which, I think has good information, but not nearly the technical or philosophical depth of some that I'm reading.

Her response: Remember what John says are the overarching qualifications to be a Certified Anusara™ Teacher,
  1. Are you a nice person?
  2. Do you connect with your students?
  3. Do you guide them safely through a practice that connects to their heart?

Upon reflection, I have to admit, when with John, I have never felt pressure to be a great scholar of philosophy or even the most flexible, skilled yoga practitioner. He only asks that we do our best, give it our full effort. That other pressure comes from me - like right now, as I read other people's thoughts.

I may never possess that depth, but I am a nice person, I do connect with my students (I know that because they are telling me), and I do conduct classes that are safe, yet challenging, and - more and more - connect to their hearts.

I'll keep reading other blogs -- they offer a wealth of information and knowledge, and I appreciate every word of it. They will enrich my base of knowledge, my teaching and my own practice. As I read, I'll remember I'm 'enriching' not 'creating'.

Here's to another week,

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Leslie Salmon Leslie Salmon

'TEACHING FROM THE HIP ...'

All right, as I wrote the title, I wondered if readers would understand. Therefore, a brief explanation -- replace the word TEACHING with SHOOTING. Got it?

Last Saturday, after Sundari observed and video'd my class, one of her comments was that now I need to teach a few classes without writing everything down (I literally had a script last week -- tho, since I had dress rehearsaled it, I only had to refer to it once.)

Yesterday, that's what I did -- I formulated in my mind what I would talk about, and what poses I might work towards, but NO script.

(By the way, yesterday I broke what I call the "7 Barrier" (replace 7 with sound). Since I took on the Sat a.m. class in January, attendance has stayed steadily at 7; yesterday, there were 8 -- some new people to me, to boot.)

What happened, you ask? Well, I changed theme, heart quality, apex, all within the first five minutes of class. I taught from what I was seeing in the class - who was there, their experience level, their apparent mood, what I could sense they hoped to get from the class (active, mild, whatever). My theme was just that, 'going with the flow', heart quality: acceptance. My apex pose turned out to be moving from trichonasana to ardha chandrasana back to trichonasana -- with control, accepting the outcome as perfect because we are giving it our best effort. We threw in bakasana just for good measure after that -- fear holds many people back in that pose (face plants are not a welcome outcome). FYI, no face plants in this class.

Side note, back to Sundari & Bakasana -- at her workshop in January, she taught us the value of hugging the inner edge of the feet together in the pose. I've probably heard that before, but had never applied it religiously until then. I think I probably was touching the big toes and trying to hug in, but that doesn't create the energy you need in the pose. Immediately getting those feet together works wonders to create the hugging in to hold the pose. Once that is established, you can work to straighten the elbows.

What else happened? They worked hard, we all laughed a bit, and had a good time. I believe everyone left feeling better about themselves; I know I did.

Enjoy your day,
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Leslie Salmon Leslie Salmon

JUST NOTES

To date, I have tried to stay on one topic in my entries; today seems like a good day to just ramble a bit:

Up early to get the house and myself ready to leave for a few days. Going to visit my parents in Spokane. With our crew of critters, and my husband traveling also, that means housesitter will be here; so gotta clean it up. Ever notice that when your purse, your car, or your house are a bit 'dissheveled', so goes your life?

I did get the tax stuff to the Accountant yesterday -- it wasn't a pretty package of paper, but it's in his hands now.

Got a great comment yesterday from a Texas student of Christina Sell's. So glad she took the time to offer her thoughts -- it made my day much brighter. Writing this blog is bringing out a part of me long hidden, that's good. Having people notice makes it even more fun.

Starting to read recommended blogs from various sources. Wow! Check out http://www.yoganerd.blogspot.com/. This Certified Anusaraâ„¢ Instructor was in Tucson, demo'd a bit, and offered comments in the training -- it was obvious she knew her stuff! Read this blog and any doubt will be erased. She DOES know it, and she applies it -- to even the minute details of our practice (thus, the name "yoganerd").

Taught Gentle Yoga yesterday. This group has formed a kula within the kula -- one student brings the 86-year-old who no longer drives, everyone welcomes each other AND newcomers, and all do the best yoga they can (and help each other pick up the props). When class is over, I take the 86-year-old home (she would take the bus, but this is the least I can do if she's getting her 'you know what' to yoga class). Rides home are interesting. She will usually go to the store next door while I finish paperwork, then sometimes there is a surprise for me -- a chocolate bar, a box of blueberries, yesterday - a chicken enchilada.

It took me a long time to 'allow' people to carry their weight. What I mean is, in the past my tendency would be to not allow her to give me anything. But, I realize now that people give because we want to and because it makes us feel like we're participating. At 86, feeling like you are still a participant is VERY important. So, I accept the offerings. The enchilada was a bit cheesey (real comfort food emphasis), but it made an o.k. lunch.

Teaching two classes this a.m. before I leave for the north. So better get ready.

Windy here today, storm coming? -- Utah has a way of fooling you into thinking Spring is here (70 yesterday), then throws a Spring snowstorm in.

Enjoy your weekend,
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Leslie Salmon Leslie Salmon

TWO THINGS ...

I often start e-mails off with that header (subject), to make sure the recipient reads the entire e-mail. Ever notice that people read maybe only the first paragraph of an e-mail, respond, and you are left to wonder their reaction to the rest of your initial communication (or, if they even read it)? But, if I continue this blog will be about three things -- if you include this short rant.

First, there is a goldmine of yoga blogs out there just waiting for us to explore. I received an e-mail yesterday from a fellow Tucson student, suggesting several. I'll explore those and, if they are as valuable as they appear to be, I'll add a link. Note, that's me being the judge -- what speaks to me, may not speak to you -- but, I'm writing this blog.

I also logged onto Christina's blog this morning, after looking at some pictures she had posted of her new home and yoga space, I followed a couple blog links she recommends. There is great potential there, as well. Will keep you posted on those.

Second, I had a great lesson in teacher flexibility yesterday. Thursday mornings, I teach a small group of deaf women at a community center here in Salt Lake. As I've said before - a challenge without knowing much more than the finger letters in ASL. I am working to solve that, tho. Next week I start a beginning class in ASL at the same center. Not only will I be better able to teach them, but learning new skills is a recommended way to hold off 'aging brain'.

Back to topic (teacher flexibility). The class began with just one student in the room. In that situation, I decided - because of her skills - to practice alongside her and take her through a moderate practice. About 15 minutes into our 90 minutes, in walks student #2 -- she had been dealing with a client emergency (legitimate excuse). She is also pretty adept, so she did a bit of warming up and joined our practice. Then, 30 minutes into the 90 minutes, just as I had them at the wall doing a supported Ardha Chandrasana, in walks student #3.

Student #3 has never been to my class (I'm not sure that she has ever done yoga, but she did have her own mat. Remember my limited ASL skills.) A young woman, a bit overweight, who had had knee surgery last Fall.

First, turning her away was not an option -- I'm trying to build this class. Besides, the other 2 were very supportive of her coming in. The deaf population is nothing if not inclusive (I hope I said that right).

So, change gears. Modify. Slow it down. Breathe. Do my best to give everyone a good experience. All said they'd be back next week; I'll keep you posted.

Ah, Fridays
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Leslie Salmon Leslie Salmon

DAY OF OPPOSITES YET THE SAME

Yesterday was the day I teach a Gentle Yoga class in the a.m., then go to the Jail in the afternoon to teach.

It certainly is opposites in many ways -- lovely ladies (and an occasional gentleman), assembling at the studio, setting up and making small talk; wanting some movement that will help them move more effectively and therapeuticaly. Now, switch gears -- go to Jail, sign in, get pass & keys, get supplies, go to pod, ask officer to gather students. The students do want the same, however -- to get some movement into their day (and get away from 'jail-life', as much as possible, if only for 1.5 hours).

Both offer unique opportunities for teaching , and I enjoy both.

The Gentle Class is an opportunity to work with a wide variety of students with many different issues going on -- from artificial knees to lumbar stenosis to just stiff -- in a relaxed environment, with all sorts of props available.

The Jail Class is an opportunity to work with people whose background I have no information about -- to teach them something many have only preconceived notions about (a "wimpy", stretching class). Many of these students have injuries, as well. I don't ask how the injuries were incurred, unless they offer; I just ask about injuries that will impact their practice. Their practice must be therapeutic, as well. But in the jail, we only have mats and blocks -- they don't allow straps, blankets, bolsters, etc.

As I mentioned in an earier post, in the Jail class I cannot touch the students. Verbal adjustments are needed. Imagine adjusting a new student in down dog (narrow stance, chest/back pulling away from knees, lumbar spine compromised, head lifted). Now, do that verbal adjustment while you have 6 others waiting patiently in their maybe less-than-perfect down dogs. A challenge, to say the least.

It requires that I move quickly, work with the most out-of-alignment first, get everyone 'safe', before they 'crash' on the floor from fatigue. Remember, these are probably strong guys, but they are not used to holding themselves in a pose for any significant amount of time.

In a public class -- I would need to do the same: quickly peruse the students, adjust the student(s) most at risk in their pose(s), remember that there are other students in the room waiting to move on. It's different, yet the same.

All offer fun challenges; all offer me opportunities to grow as a teacher.

Enjoy another sunny day (if you're in Utah),
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Leslie Salmon Leslie Salmon

A NATARAJ



One hallmark of an Anusara studio is a murti of the Nataraj. Until this week, my studio only had Ganesh, Lakshmi & Hanuman represented.

In Tucson, Manoj (the gentleman who travels with John, helping to explain Indian philosophy and mythology, and selling status of these icons) just happened to have a wood Nataraj tucked back in the corner of his display. I found this to be a sign, since for several weeks prior to Tucson, the thought kept returning that maybe Manoj could get or find me a wooden Nataraj for the studio.

End result, we made the deal, the Nataraj arrived Monday unscathed by shipping, and yesterday I re-configured the puja space. The Nataraj now sits proudly next to Ganesh, with Hanuman and Lakshmi standing guard.

I often wonder what students think when they first walk into a yoga studio and see these symbols. Especially in a very conservative neighborhood like mine, it might give some pause. So, anyone reading this - here's a brief rundown of their meaning and why they are in the studio:

Murtis are statues of deities from Indian and Hindu mythology. They are a statue first, then - as we recognize and appreciate their qualities - to the owner they become a murti. For me - as their owner - each has many qualities that I would like to adopt in my life. When I walk into the studio and see this small gathering, I am reminded of these qualities. So let's go (for ease of writing/reading - I'll give only a brief highlight of each):

  1. Ganesh - the elephant-headed boy and the first murti I purchased represents OPPORTUNITY. He is recognized as the remover of obstacles and lord of beginnings. I heard a great example just yesterday reading Christina Sell's blog. She summed it up as Ganesh giving us the opportunity to learn something by placing an obstacle in our path. For example, we would like to learn patience -- Ganesh provides a traffic jam for us to practice our patience skills in.

  2. Hanuman - the great FRIEND of Ram (from the Ramayana) and a symbol of POWER. I love to hear stories about Hanuman, his loyal friendship and the powers he possessed, using those powers to support his friendship. To hear more, you'll have to come to my class someday.

  3. Lakshmi - a beautiful statue of this deity rising from the Lotus blossom (which finds its roots in the muck and mud at the bottom of ponds; just a side note). Lakshmi offers us opportunities for PROSPERITY: physical, emotional and spiritual.

  4. Nataraj - there's a lot to the Nataraj; so, briefly it is a murti of Shiva (Auspicious One), dancing within a ring of fire. The murti represents the 5 acts of Shiva: Creation, Sustenance, Destruction, Concealment and Revelation. (For teachers: each a great class theme or themes.)
In my studio, all are placed in close proximity on a 'puja'. Puja literally means ceremony, but for our purposes, it is a small gathering place where these murtis can be viewed, remind us of their qualities, and be meditated upon.


All this, just a FYI.

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Leslie Salmon Leslie Salmon

SHOULDER THERAPY

I took Matt Newman's class yesterday morning at Kula. It's a Power/Level 1-2 Anusaraâ„¢-Inspired class. Luckily for me, there were two other people in the class with shoulder issues to consider (Remember that face plant a few weeks ago while skiing; the one that left me with a sore right shoulder?).

Result: Matt kept chaturanga's 'therapeutic' and limited in number, and - while we did do shoulder work - emphasis was also on the hips and hamstrings, which I always need. Things I noted during the practice, which I will find helpful for my students with injuries:
  1. Releasing from a pose or moving without maintaining muscle energy resulted in discomfort in my shoulder. I know this and I teach this, but there's no greater teacher to give us a gentle reminder than an injury.
  2. Surya yantrasana was actually more uncomfortable on the side where the leg was back behind the unaffected shoulder (I was using the hand on the injured shoulder side to hold the foot, pulling on the sore shoulder). This blog requires 'visualization' -- a valuable tool, I'm finding. That surprised me, because I assumed a leg over my injured shoulder would force it forward, causing pain. Not so, because by then, we were appropriately warmed up, the shoulder stayed in it's home and the pose felt good on that side. I need to pay attention to the shoulder being seated on on both sides.

Some of you may be going "duh!, girl -- don't you know this by now". I'm finding there is so much knowledge stuffed in my head that I often get reminders that bring that knowledge forth. One valuable reason to attend public classes.

Take care,

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Leslie Salmon Leslie Salmon

DO NOT IGNORE . . .

We'll take a slight detour, because over the weekend, I heard of illness striking two people close to my heart.

While we can't expect to go through life unscathed by health crises, I just wanted to take a moment to list a few things you should NEVER ignore. If you suffer even one of these symptoms, get help:
  1. Sudden numbness in a part or parts of your body, especially on one side
  2. Confusion, or trouble understanding
  3. Dizziness, trouble walking, loss of balance
  4. Trouble seeing, blurred or double vision
  5. Severe headache, with no known cause

These are the signs of a possible stroke and should be taken seriously.

Have you seen those adds on TV regarding stroke symptoms? Where the person being affected denies that anything is happening. That's common. We want to deny that anything is going on, to minimize it. Don't! Better to know it's nothing by making a trip to the E.R., than risk the results of a full-blown stroke.

Also, if you witness someone suffering any of these symptoms. Don't worry about offending them -- call for help.

Only one of the friends mentioned above has stroke symptoms, but it causes me to want to share the information we may all know, but forget. (Also, my doctor says everyone over the age of 50 should be taking one aspirin a day - unless they are already on an anti-coagulant medication; this small act might work to minimize your risk.)

Take care of yourselves, your family, your friends, your students, and even those you don't know,

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Leslie Salmon Leslie Salmon

VIDEO CAMERAS - Yuck !!!

Filmed my Saturday a.m. class. It took a few minutes to get the video camera working (it's been a while since I've used it).

This morning, I decided (while it was still quiet in the house) to transfer the video from the camera to my laptop. As I thought that was happening, I decided to watch the video. Much better than last year, when watching one of my class videos was like watching paint dry.

Part of self-evaluating the video includes picking up the words that you use TOO frequently. My frequently abused words /phrases: breathe, pull, take, take a breath, so (really use that one too much). Now, the task: create a table, with each of these words at the top of a column, then list alternative words and phrases to use in their place.

I also noticed my posture, while better, is not great. When I stand up straight, I hope one result will be that my stomach won't stick out quite so much (vanity).

Positive parts of the video: More confidence, more knowledgeable, sequence o.k. (a bit rough on a couple transitions), carried the theme through the class, used an alignment point (shoulder blades) to support the theme throughout. I did verbally adjust, and made some physical adjustments. Also, the languaging sounded more Anusara-ish; not so technical.

With the video, I'm pleased -- while I have work to do, I see growth and progress.

In Tucson, John noted some of the missing elements of many videos. I'll mention those, just for your info. You must:
  1. Return to the heart theme throughout the class
  2. Check that all students are in the general form of the pose
  3. Check the foundation. Give students a moment to breathe while you move through the class to assure each is 'safe' in their foundation.
  4. Ensure students are following your instruction(s) BEFORE you move on.
  5. Make a statement regarding how and why the theme connects back to the highest purpose (i.e. "this practice allows us to see the goodness within ourselves and others; it might be a bit cloaked at times, but it's there")

There may be more commonly missed points, but these are the ones mentioned. If you know of some, please share by commenting.

Now, back to the camera -- turns out the video didn't save to the laptop, and I've got to study and figure that out. Technology!

Take care & enjoy your Sunday,
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Leslie Salmon Leslie Salmon

THE KULA OF ANUSARA™ YOGA

The first time I met John Friend was at Inner Harmony, the last year that the retreat center was operating in Cedar City (2004). I applied on a whim & a prayer, doubting that I would get in. A response to my application never came, so I called the Anusara office. I was told that they did get my application, that I wouldn't be able to attend the week I'd requested, but that I could attend the session being held earlier in the month.

So, I accepted. Hopped in my car (by myself) on a Sunday morning, drove to Cedar City (where?), and stepped into a life-changing experience.

Note: of the 65 people attending that session, I was one of 4 who had never experienced John or a group of this type before. Everyone else knew each other! Needless to say, it was interesting to be in a situation where everyone is hugging, greeting, renewing old acquaintances and me - not knowing a soul. For someone like me - who is/was shy (59 & shy?), it only heaps more challenge on an already challenging environment. But, the teachings were so good, the people were welcoming, the yoga was amazing, and the hikes during our breaks were incredibly beautiful - I stuck it out.

Finally, somewhat in the groove by Wednesday of that week, I received a call telling me of a family emergency. I needed to leave and fly to my hometown to help. I told John the reason for my departure, hopped in the car and drove back to Salt Lake.

All this to tell you that the e-mails, cards, phone calls from many of those 65 people asking me how I was doing, etc., was amazing. That was the 'kula' (community) I'd been hearing about in class and during the workshop. People who supported and cared about me, even though they had just barely met me.

I am having a similar experience at this time, as well. Granted, I know these Anusaraâ„¢ teachers already, but the interest and care they show in my progress as an Anusara-Inspired™ instructor is truly amazing -- so much fun to get e-mails, texts, calls of encouragement and support. It only makes me want to work harder and teach better, knowing that I have a kula of people supporting and caring about me.

Kula in action!
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Leslie Salmon Leslie Salmon

ALMOST FORGOT

It's been a busy day -- preparing to teach, then teaching, then thought I was subbing, but that turned out to be a mistake (isn't that what we have calendars for -- and I had it written down correctly). Now, I just finished a practice in which I taught myself.

I've practiced talks, practiced poses, but never, I repeat NEVER, have I taught myself a whole class.

I have to tell you, it's an effective way to work on your teaching. I started out speaking very quietly, in an empty studio no less. By the end of my 'class', I was really animated and loud. I kept looking towards the door whenever I heard a noise, expecting someone to come in for information and find me on the floor, teaching NO ONE (but myself).

It takes time, but it really tells you whether a sequence works, whether your alignment principle is appropriate, whether the theme fits with the heart quality, etc., etc., etc.

Enjoy the weekend,
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Leslie Salmon Leslie Salmon

NO JAIL YESTERDAY

My day started as planned -- going into the studio, straightening paperwork, checking the studio and getting it ready for the Gentle Yoga class. That class went as planned - theme: Celebration (no surprise, there, after yesterday's blog).

I headed from there out to the Jail for the afternoon class. After signing in, going through the security doors, and schlepping the supply cart to the pod, I was told there was an issue in the pod that would prevent my using the classroom. So, schlep the supplies back, go back out through security, sign out. (This doesn't sound like much, but it is a 15-20 minute process both ways - in & out.)

Interesting to me that the Officers at the front desk were surprised that I wasn't upset. Apparently, it isn't unusual for volunteers to get upset when things like this happen and give the front desk Officers a piece of their mind. (Sounds like someone needs yoga!)

For me, the fact that I wasn't upset is one of the wonderful side effects of this yoga practice. It creates a calm in me, a knowledge that I'm not the only one in the equation, and an ability to flow with the pulsation we experience in life. Great stuff.

Oh, I can get my feathers ruffled, don't get me wrong. I just hope that I react appropriately and at the right time. It's just wasting energy otherwise.

Teaching my friends at Sanderson Community Center for the Deaf this morning, then subbing a class at noon.

Enjoy your day,
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Leslie Salmon Leslie Salmon

26 DAYS

Yup, I've been faithfully writing in this blog for 26 days! I know it's a habit, because I'm a bit rushed this morning, but still feel it necessary to insert a few words before I go on to the next activity of the morning.

I am excited and nervous about teaching my first classes today since the training. I've been going over and over themes, heart qualities, sequences. I teach two classes and they are SO different. My first is Gentle Yoga, at the studio (the name of the class should give you an idea of what's involved). The second is at the Jail this afternoon.

Two very different audiences -- could I use the same theme, could I use something like 'celebration'? What, you ask, would Jail prisoners have to 'celebrate'? Let's see, being alive, perhaps having a family or loved one to support them in this difficult time, being able to do yoga!

Not sure that celebration will be my theme, but even the person who is a bit down, or in a difficult life situation, can find something to celebrate in their life -- it's our opportunity to help them realize it.

Enjoy Wednesday,
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Leslie Salmon Leslie Salmon

IT'S WORK

One interesting phenomenon of yoga is the number of students who start the practice, and - as soon as it becomes apparent that this involves hard work & dedication - quit.

I often wonder what those students came looking for. Or, what they realized while practicing -- maybe a glimpse of one part of their true self, one they didn't want to explore. So, it's easier for them to turn a blind eye, to quit.

This probably happens in many activities. "If I don't succeed, I'll quit."

I could have easily quit after my first few yoga classes. Being older, a bit overweight, inflexible, and very conservative -- those are all traits that don't encourage activities that require energy, exude an air of youthfulness, require we look at a spiritual picture of ourselves. It's easier to quit. It's easier to sit on the couch and watch Oprah (nothing against Oprah, I actually enjoy her show).

But, I've discovered that sitting on the couch doesn't make me feel better about myself, it doesn't connect me with other people, and it doesn't give me any insight about my true nature, my strengths and weaknesses, my capacity to serve by teaching and offering classes through my studio.

If I quit, I've failed to realize Grace - a revelation of the beauty within myself and the Universe.

A short story -- I've struggled with Urdhva Dhanurasana for 10 years now. When I was in Boston last Fall, I pushed up for one of the first, stable times. After class, I called my husband to tell him. His response: "Good for you on not giving up." He could have said a number of other things, including "FINALLY!" But, he didn't; he chose, rather, to focus on my effort and my dedication.

Thankful I didn't quit,
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Leslie Salmon Leslie Salmon

HOME AGAIN

No matter how great the training, workshop, vacation, weekend getaway, whatever, it is ALWAYS good to be home. Back in my own comfort zone.

The morning practice yesterday (Sunday) was amazing. John's request of us was to do the practice as fully as possible and to remember -- because if we forget, it's a sign that it's not important to us. It is important that we live each day fully, pay attention to our lives, remember our students, and give thanks to the teachers in our lives.

What fun to practice with mindfulness and effort as the theme -- I can do my best and know that it is 'purna' (fullness, perfect) -- even if I do a splendid face plant! I WILL always remember that practice - the last time in that venue (next year, the Tucson kula will have to come up with another location for this training/workshop), the last time with that particular group of students (next year, a different group will gather), and who knows what will change in my life in the next 12 months (not that I anticipate a big change; but, change happens - its part of the pulsation of life). I also will never forget where and when I did 4 urdhva dhanurasanas in a row (last one with close to straight arms)!

It's also the last day I will have ready-made blog topics to write about. I'm on my own now to come up with stuff to write about, for a while.

Foggy and cold here in Salt Lake, expecting snow later in the day; nothing like Tucson.
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Leslie Salmon Leslie Salmon

THANKFUL but READY

As thankful as I am for having this week and weekend, I am ready to go home - to spend time with my husband, to sleep in my own bed, to pet my dogs & cats, to teach AND I owe my Grandson, Jack, another letter.

Question I've been asked most often as this week/weekend winds down? 'what will I teach that first class 'back in the saddle'? Answer: don't know. It's all still percolating.

I will have more poses in my arsenal (poses I have, in the past, avoided teaching), and I will have new languaging skills to practice. But, what will I teach? Thankfully, I have a few days before that first class to think about it and get ready.

What we hear repeatedly is that we must develop our 'own voice'. That just repeating another teacher's instructions, ideas, themes, etc., does not sound authentic. We each have a unique way of teaching. My job over the next weeks, months, years(?) will be to take the teachings I've received and work them into MY vocabulary, MY voice.

Two more hours (just doing the morning session today), until this great time with John & friends will end - for a while. Turns out, he will come to Park City in September for a weekend workshop. I'll apply; you should too.

Take care,
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Leslie Salmon Leslie Salmon

NOW, PUT IT INTO ACTION

Saturday morning and thinking about the weekend portion of this adventure.

In the past, I have rarely stayed on for the weekend workshop after a week-long training. These trainings can be intense -- if you've been reading this blog, you know that I've been sitting a lot, doing a good bit of yoga, practicing my teaching, and being taught by other students like myself. That doesn't include the note-taking (and note typing). By the end of a week like this, I'm a bit weary.

I wouldn't mind going home today, but - since I have someone to sub my class this morning, I have a place to stay, and my husband is o.k. with it - I'm going to push the envelope a bit and do the weekend. More time with old & new friends, more time to practice those elusive poses, and more time to experience John's teaching.

Switching gears, yesterday morning was a potpourri of good information, from philosophy to books we must read to general questions. We did a practice, pausing periodically to practice adjustments and discuss points. The theme for this practice was 'Shri' (divine beauty); the heart quality - artistically celebrating our own uniqueness. In this practice, we explored adding our own uniqueness to each pose, not just emulating our neighbor or doing 'cookie cutter' versions of the poses. Fun stuff!

As you practice today, reflect on your own uniqueness -- as one student pointed out, the first thing people notice about a work of art is the last thing the artist did in creating it. So, pay attention to your foundation, take a good general form of the pose, then open and create your own work of art.

Enjoy,
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